This show is the only known show from the 'OU812 Tour' that was professionally filmed.

Paramore play songs from their album, 'Brand New Eyes,' exclusively for MTV Unplugged. Set List: 1. Ignorance; 2. That's What You Get; 3. Misery Business; 4. Brick by Boring Brick; 5. Decode

Game over..

Human traffickers wipe out a young girl's family and village. She then seeks revenge on those responsible, eventually becoming first the hunted then turning into the hunters with the mercenary hired to eliminate her.

Lindsay Anderson's early documentary film of a British amusement park, the irony of its manufactured fun on full display.

A generative audiovisual composition for radar display tube and analog chaotic circuit inspired by the history of electron optics More info: http://www.joostrekveld.net/?p=2179

The 40-year-old Omrane is in charge to find maid placements in Tunis for the girls from his village. But the most rebel of the girls has escaped and he has to look for her to get her back in the right path. The girl refuses to lose the freedom she just obtained. For her part, the young Fedlah who was enthusiastic by going to town quickly discovers a world where childhood doesn't belong to.

Crump directed the feature-length documentary film Black White + Gray: A Portrait of Sam Wagstaff + Robert Mapplethorpe, which premiered in North America at the 2007 Tribeca Film Festival and in Europe at Art Basel. It explores the influence curator Sam Wagstaff, photographer Robert Mapplethorpe and musician/poet Patti Smith had on the 1970s art scene in New York City.

Adaptation and unification in a single story of several stories by the writer Rubem Fonseca, where the theme of violence in contemporary society is explored.

An ordinary man takes revenge only to find it's made him the target of a major crime lord and his army of psychopaths and professional killers.

Dinda just wants to be happy, but often reality does not match expectations. But now he meets someone who makes him realize: good love is not always full of wounds. A sense of calm that is not restrained, maturity that is not excessive and still gives freedom to every childish nature.

It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Four twenty-something women, crammed into a small Manhattan apartment, have dead end jobs (or no job) and overdue rent. They discover cash and self esteem when they set up an illegal bookie joint in their kitchen. Suddenly they can pay their bills; they imagine joining the middle class; they even make corporate donations to charity. The film also explores their relationships with men, most of whom are unfit for anything lasting, and with their mothers, who appear in surreal, imagined conversations with their daughters.

An underworld kingpin's past catches up with him when he returns to London, igniting an explosive chain of events which ends in revenge and murder.

Overnight on 24th June 2020, graffiti reading ‘RIP SENI’ appeared on a public artwork outside Bethlem Royal Hospital, a psychiatric hospital in South London. The red spray-painted letters called attention to Seni Lewis, a 23-year-old black man who died at the hands of 11 police officers while in the care of the hospital in 2010. The artwork had been created by Turner-prize nominee Mark Titchner. It was made up of eight placards asking questions about mental capacity and assessment, creating a powerful resonance between the artwork and the new graffiti. This film reflects multiple perspectives, from mental health professionals to families who have lost loved ones in police custody, prisons and psychiatric hospitals. It explores Seni’s story, the crisis of mental health and racism in the UK, the long fight for justice and what happens when members of the public take art into their own hands.