Asya, Boyana, Iren and Vera are assassins working for S.T.A.R. Will they succeed in finding the killer of their boss?

This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…

Nel novembre 1998, un doppio omicidio si verifica nel complesso di appartamenti Ogawa appena costruito nel cuore di Mifune City. L'assassino, Tomoe Enjou, è fuggito in preda al panico. Con suo grande stupore, non viene inseguito dalla polizia e la notizia dell'incidente non viene riportata dai media. Dopo che Shiki Ryougi difende Tomoe da un gruppo di teppisti, lei gli permette di usare la sua residenza come nascondiglio. Tuttavia, alcuni giorni dopo, Tomoe è scosso nello scoprire che sua madre è viva, anche se è convinto di averla uccisa. Per coincidenza, Mikiya Kokutou sta indagando su una soffiata che la sua collega Touko Aozaki riceve riguardo all'omicidio nel complesso di appartamenti unico. Mentre scopre più informazioni sull'incidente, Mikiya si interessa particolarmente a Tomoe. Decidendo di indagare ulteriormente su di lui, Mikiya scopre presto l'inquietante verità dell'inquietante complesso Ogawa.

Ora che sa che suo marito, il conte di Peyrac, è vivo e si trova in Sardegna, Angelica riprende le ricerche del consorte. La nave su cui si è imbarcata viene attaccata da un veliero corsaro: per sfuggire alla cattura, Angelica si butta in mare e viene ripescata da altri pirati, il cui comandante la vende al mercato degli schiavi. Un mediatore vince, per una somma favolosa, l’asta per il possesso della giovane. Condotta in un palazzo, si trova di fronte a una sorpresa...

Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!

Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.

Rapita da Escrainvilla e da Corano, Angelica è ad Algeri nelle mani di un certo Mezzo Morte, che rifornisce l'harem del re del Marocco. Con l'aiuto di due schiavi cristiani, la donna riesce a fuggire, ma è inseguita dagli uomini del sovrano che la vogliono uccidere. Sarà salvata dal marito in cambio del segreto per fondere l'oro, e con lui potrà mettersi alla ricerca dei due figli, anch'essi rapiti...

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

After the closure of a lace factory in Calais, Andrée, Lulu and Solange are out on the street.

A guy locked in a room with no way out. He does not remember anything about himself, his fate is uncertain, but, the most important thing is the reason why this is happening.

In Berlin, Lieutenant Yartsev's infantry and Tzvetaev's battery fight their way in the U-Bahn. Captain Neustroev's company is selected to hoist the Victory Banner atop the Reichstag.

In 2007, my sister was asked out on her first date. We were in middle school. It all happened on Google Chat. These are the transcripts.

Film about an unemployed, socially handicapped bachelor who lives in a very small world. For his birthday, his mother gives him a young dog. The touching pup brings about a pleasant change in his lonely life. But the growing up of the small dog forces him to make a radical choice.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

The story begins with the young girl Katya arranging a nanny for Maxim Dremov’s family - the general education of his nephew Ilya, who remained an orphan. Relations within the family do not work out - Maxim is unable to find a common language with his nephew, Maxim's wife. Problems arise in their common business. After another scandal at the dacha, Dremovy find the body of the killed Irina.

Nanay Xedes runs her whorehouse with an iron fist and expects her employees to obey her rules — the most important of which is that her pimps and prostitutes can never be intimate with each other.

If any single piece can act as a key to Ruiz, it may be the 1997 short Le Film à Venir (The Film to Come). The titular film is a holy fragment of celluloid that can only be seen by a secret society known as the Philokinetes. They watch it on a loop, somnambulating through a life that is unreal by comparison. It is the belief of the Philokinetes that film has an existence “independent from humans. Cinema, they said, is the primeval soup of a new life form. There from were to emerge pure screening creatures. Which is to say, non-topical beings.” - n+1

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

An intimate portrait of mothers and daughters and the effects of trauma, Jacinta follows a young woman in and out of prison as she attempts to break free from an inherited cycle of addiction, incarceration, and crime.