Donny Drucker's 1998 Bar Mitzvah VHS Tape.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

It's A Bugs' World! Diego and Kicho magically shrink to bug size to rescue Benito the Beetle's dance partner. Help them past giant frogs, anteaters, and even rain to get through Bug World! Diego The Hero! Diego and Baby Jaguar need to help Alicia and some

Documentario britannico sul direttore d'orchestra Annunzio Paolo Mantovani (1905-1980).

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

The Brady Bunch Home Movies was aired on CBS, May 24, 1995. It is hosted by several former cast members and is a collection of clips from Super 8 camera's as well as selections from the television show. Each cast member of the 'Brady Bunch' received a camera from Robert Reed and some of the footage is of their trips abroad.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

A girl from Mumbai who comes to Pune to meet a prospective groom, with the idea of rejecting him, ends up spending the day with a complete stranger.

Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see.

Marat is single, lives alone and works as a security guard. He lives his lonely life according to a never changing boring daily routine. Then, one day, something unusual happens. Marat sees a girl standing in the street near his house. The next day she reappears. The girl is called Mariyam and when she accidentally enters Marat’s life, his nights are turned into adventures.

Three friends are arrested after committing an accident with their car. After finishing their sentence, they become partners with the owner of a decoration workshop. But he deceives them and spends the money in gambling. They force him to sign a waiver of his workshop but he wants to get it back.

Anna is a woman who sells flowers at the local market and whose only hope and joy in her life is her only son Amaurys. Raul, Amaurys' best friend, involves him in a drug deal which results in his death.

Many ordinary but different people take part on a marathon in a small town. Abruptly it becomes foggy and the mist is getting more and more dense. The competitors lose their orientation.

Emilia Galotti is an adaptation of the German drama of the same name written by Gotthold Eprahim Lessing.

When Dream and Day Reunite is an Official Bootleg released by Dream Theater by Mike Portnoy on his YtseJam Records label. The album contains the second set of a show in Los Angeles in 2004 where the band performed the entire album When Dream and Day Unite to celebrate it's 15th anniversary. Also included is the encore, in which the band was joined onstage by former members Charlie Dominici and Derek Sherinian.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.