Brooks is an eccentric rich kid, with a fondness for big band music, bow ties taking strange photographs who one day whilst stealing a mannequin from a clothes store, meets Anne, a free-spirited, young deaf girl who works in the shop. It's a meeting that will transform his life. As their friendship blossoms he starts to learn sign-language and she helps him to conquer his fear of water but with a bullying brother, insensitive overbearing father and his father's peculiar new girlfriend all pressurising him to be 'normal' will Brooks be able to break free from their boundaries and his own fears and limitations to find the meaning of true and selfless love.

A group of friends try to defeat an evil king, and meet some quirky characters along the way.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

As the Overfiend slumbers, the mad emperor Caesar rises to power, enslaving a new race of demon beasts. Into this cruel existence is born the Lord of Chaos, the Overfiend's nemesis. As the blood-thirsty beasts capture the tyrant's daughter in a brutal coup, the Overfiend must awaken to an apocalyptic battle of the Gods.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

The Tooth Fairy is back. 15 years after the events of the first movie, Corey, now grown up but mentally scarred has gone to a class reunion. However, the Tooth Fairy is back, and this time - You better have flossed properly.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

The crusty hero, Habryka, is an old miner who has won many worker medals and is now retired with his youngest son and latter's family living with him. To build new apartment buildings, the old houses are being bought out, the residents given apartments in the new houses, and being cleared away. But Habryka refuses to sell.

The film is an unofficial remake of Tamil film Ullathai Allitha, which itself is influenced by the Hindi film Andaz Apna Apna.

Lo spaccio di una grande quantità di dollari falsi, mette Perry Grant, agente speciale della CIA, sulle tracce di un certo Roland, italo-francese e lo conduce a Roma. Qui, salvatosi a stento da alcuni attentati, l'agente fa alcune importanti scoperte. Viene così a sapere che il capo dell'organizzazione è Aaron Yosipovic e che i dollari non sono che un mezzo per la realizzazione di un piano ben più criminale: infatti lo scienziato ambizioso e privo di scrupoli, ha attrezzato un laboratorio con, dispositivi capaci di paralizzare le apparecchiature elettriche di un'intera nazione ed è in procinto di agire ricattando il mondo intero. Ma Perry, dopo essere audacemente penetrato nei munitissimi sotterranei dello scienziato, libera gli innocenti ivi rinserrati, sgomina l'intera banda di Aaron e distrugge per sempre le pericolose attrezzature.

Dopo aver combattuto con l'esercito unionista durante la Guerra di Secessione, Ringo torna a casa e scopre che la città è in mano ai banditi che, nel frattempo, gli hanno anche rapito moglie e figlia.

Scattered in seemingly random order, on the screen, we see the light that traverses the kinetic fields of Bill Brand’s latest film August Garden. Made for a group exhibition at Galerie Arnaud Lefebvre (Paris), the film accompanies a series of flower ink paintings, carefully made by the artist. Before, in the first seconds, we’re able to see an animation of August Garden 07 (ink and watercolor on xuan paper, 9″ x13″, 2019), which titillates lively for brief moments.

The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..

Revolving around the modern Greek woman and her perspective on love in general, not one, but twenty-one brief and vivid vignettes attempt to shed light on an ever-present matter: can there be consequences in Cupid's eternal game?

The who live

Jeune Cinéma is a footage film documentary about the famous yet forgotten Hyères Film Festival which took place from 1965 to 1983. It was at that time the most important in France just after the glamorous Cannes Film Festival and a friendly place to discover young directors such as Gilles Garrel, Akerman, Helma Sanders, Schroeter or Carax before they became a legend for the art-house film amateurs. Hyères was a vivid space for passionate debates, incredible polemics and above all surprising encounters. In a word, it was THE place to be for all the cinephiles. If it suddenly disappeared in 1983, it is not only because of internal and political conflicts but also for an unfair competition with Cannes. The « Perspectives » section at Cannes, widely inspired by Hyères, was attracting those same young talents discovered there. My personal history as a filmmaker is deeply tied to the “Collectif Jeune Cinéma”, which was in charge of the “Cinéma Différent” section.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.