Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Call-center workers receive a phone call from God.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Gli amici si ritrovano sulla tomba del Perozzi e rievocano alcuni dei loro scherzi, tra cui far reggere la Torre di Pisa ai turisti e ingannare un usuraio. Il conte Mascetti, il geometra Melandri, il chirurgo Sassaroli, l'oste Necchi non hanno perso il gusto per le zingarate, nemmeno in occasione dei funerali del quinto sodale, il giornalista Perozzi. Senza timori reverenziali per niente e per nessuno (la Chiesa, la tragica alluvione dell'Arno del 1966), ogni occasione viene sfruttata per feroci beffe, anche fra di loro, nuove di zecca o rievocate. Sette anni dopo il primo fortunatissimo capitolo, la vena degli sceneggiatori e della regia non si è esaurita, e il film vale il precedente, graffiante, sorretto da uno humour crudele che spesso vira al nero. E gli attori sono sempre in gran forma.

On the way to Daphne's relatives' condominium, the Mystery Inc. gang detours through the town of Winter Hollow, where the vengeful Headless Snowman has destroyed the town's Christmas spirit.

Odissea di 10 personaggi intrappolati in un transatlantico rovesciato da una gigantesca ondata. Dopo Airport, negli anni '70 rilanciò la moda del catastrofico. Il piattoforte sono le suggestive scenografie (capovolte) di W. Creber. Oscar per la canzone “The Morning After”, candidature per fotografia (H. Stine), musica (J. Williams) e Shelley Winters. Seguito da L'inferno sommerso.

Red, a shy orphan who spent most of his childhood in a girly bar, grew up to be the town's best fixer. When a rich kid was gunned down in a drug bust that went wrong, Red was hired by Art, a spoiled socialite, to fix the mess.

Based on the true story of Louis "Red" Deutsch. A New Jersey bar-owner is plagued with prank phone calls that prompt him to flip into psychotic, profanity-laden rages.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.

Short animation film about the fear of singing in public

Vittima di bullismo da parte di alcuni compagni di scuola neofascisti, la diciassettenne Julie Pierce chiede aiuto al maestro di karate Miyagi.

Alla scuola per fate di Alfea si festeggia l'inaugurazione del nuovo anno scolastico, ma il party viene interrotto da Icy, Darcy e Stormy, le perfide Trix. Le Winx, senza Bloom, sono costrette a rimediare allo scompiglio creato dalle streghe che, dopo aver mandato a monte la festa, rubano un oggetto potentissimo e misterioso.

A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Nella commedia ritroveremo tutti i personaggi di American Pie, che abbiamo incontrato più di dieci anni fa, durante una riunione scolastica a East Great Falls. Durante il weekend, che attendevano da tempo, scopriranno cosa è cambiato e cosa, invece, è rimasto esattamente come era una volta, e che il tempo e la distanza non possono spezzare i legami delle forti amicizie. Era l’estate del 1999 quando quattro ragazzi di una piccola città del Michigan iniziarono un’impresa per perdere la verginità. Durante tutti questi anni sono accadute molte cose: Jim e Michelle si sono sposati, mentre Kevin e Vicky si sono detti addio. Oz e Heather si sono allontanati, ma Finch ancora sente la mancanza della mamma di Stifler. Ora questi vecchi amici, ormai adulti, sono tornati a casa per ricordare i teenager con gli ormoni in subbuglio che hanno lanciato una leggenda della comicità.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

8mm work directed by Norihiko Morinaga.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.