Moving picture of London's Trafalgar Square traffic, filmed with a kinesigraph.

William K.L. Dickson and William Heise shake hands in this early experimental film.

Chronophotographic short film, possibly species Protophormia terraenovae, c. 1904-1905.

A group of Romanian soldiers helped by peasants, prevents the transport of goods looted by German soldiers from the USSR during the Second World War.

The true story of Derek Bentley, whose conviction and execution for a murder committed by someone else provoked a public revulsion.

Can Dean get an erection in time to save his relationship?

On Halloween 1979, a small town is turned upside down when a transient evil takes up residence in the local bowling alley. (ALTER)

A coming-of-age drama about a thirteen-year old boy Ilmārs, who suddenly gets entangled in his parents' relationship crisis as well as experiences his own first romantic feelings, too.

Documentary on Marilyn’s life told by herself from the taped interviews she gave to Life magazine and French Marie Claire less than a month before she died, accompanied by rare and previously unseen footage.

To fully appreciate the western comedy The Marshal's Daughter, one must be aware that its star, a zaftig, wide-eyed lass named Laurie Anders, was in 1953 a popular TV personality. A regular on The Ken Murray Show, Anders had risen to fame with the Southern-fried catchphrase "Ah love the wi-i-i-ide open spaces!" Striking while the iron was hot, the entrepreneurial Murray produced this inexpensive oater, which cast Anders as Laurie Dawson, the singing daughter of a U.S. marshal (Hoot Gibson). Teaming with her dad to capture outlaw Trigger Gans (Bob Duncan), Laurie briefly disguises herself as a masked bandit. Amidst much stock footage from earlier westerns and a plethora of lame jokes and dreadful puns, The Marshal's Daughter is a treat for trivia buffs, featuring such virile actors as Preston S. Foster, Johnny Mack Brown, Jimmy Wakely and Buddy Baer as "themselves."

Marooned Awakening is a 2022 British psychological thriller film directed by Musaab Mustafa, co-written by Cameron Ashplant and Mustafa, and starring Ashplant, Murray McArthur, Tilly Keeper and Tim McInnerny. The film was shot entirely on the island of Guernsey.

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts.

Leon, a hacker convicted for a crime he did not commit, escapes from detention centre following the death of his father, to take revenge on the man who really did it.

In order to bust a money laundering ring, the cops must work undercover at a hostess bar. Zaniness ensues as we witness policewomen masquerading as hostesses, detectives masquerading as waiters, and other similarly awkward role-reversals.

In the middle of quarantine, Luís lives a repetitive routine and begins to question his lucidity.