A young man returns home for the weekend to discover the difficulty of juggling friends, parents, magic mushrooms and several thousand chickens.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

(Primo cortometraggio). Dopo gli eventi di "Guardiani della Galassia Vol. 1", Baby Groot è finalmente pronto a provare a muovere i primi passi fuori dal suo vaso, solo per imparare che devi camminare prima di poter correre.

(Secondo cortometraggio). Groot scopre una civiltà in miniatura che vede il piccolo come un enorme albero.

Chandru's friends make fun of him as he does not have a girlfriend. He points out at a girl claiming that she is his girlfriend, due to which a number of unfortunate events take place in her life.

Call-center workers receive a phone call from God.

An emotionally unavailable flight attendant meets a potential love interest and later finds out that her "perfect guy" has ulterior motives. As the clock ticks down on New Year's Eve, she must fight to keep her murdered ex-boyfriend's secrets or find herself dead.

(Terzo cortometraggio). Svegliandosi nel bel mezzo del sonno, nel Quadrante di Eclector, Baby Groot trova una fiala rotta e tracce di liquido color bolla in tutta la nave. Cosa sarà successo?

Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.

To defend their kingdom against a sudden invasion, a mighty general returns to the battlefield alongside a war orphan, now grown up, who dreams of glory.

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Decades ago, the USSR developed unkillable sharks and launched them to the moon. Today, a team of American astronauts will endure the fight of their lives.

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

8mm work directed by Norihiko Morinaga.

In a digital world, can analogue find true love? It is the wise old gramaphone who has the answers for a lovesick loner.

Jesse, che vive con i genitori adottivi e si è fatto una fidanzatina, si vede capitare tra capo e collo un fratellastro dispettoso e pungente. Avvistato un branco di orche, Jesse ritrova il suo amico Willy, ma le ore felici che passano insieme vengono turbate da una macchia di petrolio che minaccia la vita dei cetacei.

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

(Quinto cortometraggio). Groot si propone di dipingere un ritratto di famiglia con se stesso e i Guardiani, scoprirete quanto possa essere disordinato il processo artistico.

Polish animator Anna Błaszczyk’s humorous short—a collage of drawing, cut-out, and computer animation—was inspired by Stanisław Lem’s 1961 novel Return from the Stars, a time-paradox tale of an astronaut who returns to Earth after many years away.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.