Tracy e il fidato Pat Patton cercano di identificare i misteriosi autori di una rapina a una banca, guidati dal malvagio Gruesome (Boris Karloff), i quali hanno utilizzato un gas misterioso che paralizza le persone per alcuni minuti senza che queste se ne accorgano.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

A young photographer's home is haunted by it's former residents.

Four interlocking stories about pregnancy all intersecting in an obstetrician's office.

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

John and Barry try to win back their respective girlfriends by reenacting scenes from films by the master of romance, Cameron Crowe.

Joo-Hee (Kim Hee-Jung) is a married professor. She is stunned to learn that her husband Dong-Hyuk (Seo Tae-Hwa) is having an affair with her own student Yeon-Mi(Seo Eun-A). Joo-Hee pretends she doesn't know about their relationship and invites Yeon-Mi to her home. Dong-Hyuk and Yeon-Mi, believing Joo-Hee is oblivious to their affair, continue their intimate relationship at his home. Joo-Hee though has her own plans.

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

A young man, to ensure that he will pass the high school maturity test convinces his girlfriend to help him steal the answer sheets.

Allen Meighan, an intern, assures himself residency at 'General Hospital', when he saves the life of a man trapped in an explosion. Allen is in love with student nurse, Claire Donahue, and she with him, but, she is married to Tom a physically abusive husband.

Psychological study of country girl Jitka and her blossoming love for an older man afraid of her youth and spontaneity.

A racer in the motorcycle sport called 'sidehacking' goes on a rampage of vengeance when his fiancée is raped and murdered.

Marco has found the perfect girl in Divina. Though they've only spoken on the phone, they're convinced they're meant to be together. One problem: Divina's living in 1957 and Marco in 2006.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.