In 2007, my sister was asked out on her first date. We were in middle school. It all happened on Google Chat. These are the transcripts.

In the Baixada Fluminense, independent cultural groups started a film movement that takes the cinema to the viewer. For more than ten years, these cineclubes have played a fundamental role in the social construction of peripheral regions and open the debate for the transformation of everyday life in these cities. The documentary shows the performance of six of Baixada Fluminense's main cineclubes: Cineclube Mate with Angu, from Caxias; Cineclube Getúlio hole, from Nova Iguaçu; Cineclube Donana, by Belford Roxo; Cineclube Cinema of Guerrilla, of São João de Meriti; Cinux Xuxu with Xis, from Austin; and Feminist Faction Cineclube, from Caxias. The movie clubs take the movies to the squares, bars, schools and wherever else you have room to display. To promote cineclubes is to preserve the possibility of meeting, identifying with others and the pleasure of sharing and motivating people.

Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.

Do, Re and Mi in this sequeal tells the tale of a group of gangsters who are planning to rob a bank. So they use this oppurtunity to con them out of it and capture them at the same time. Many comedic memorable moments are carried out through the movie.

A two-minute computer animation of a fantastical centipede having a spot of bother with a mischievous segment.

Barbara is a filmmaker who has been working in the prison environment for a few years now. She is preparing a film written and directed by long-term inmates in a prison in the projects around Paris. Twice a week, Barbara goes to the prison where she shoots interviews with the inmates which will serve as a basis for the writing of their screenplay.

“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Several little boys run along a pier, then jump into the ocean.

Roma, oggi. A un primo sguardo Vincent, cinquantenne francese che delle sue origini ha mantenuto soltanto l’accento, e Maria, di una quindicina di anni più giovane, sembrano una coppia simile a tante altre. Quando prendono il metrò, si siedono vicini, abbracciati. Quando tornano a casa, fanno l’amore con passione, legati a doppio filo da un’attrazione reciproca che di solito caratterizza gli esordi di una storia d’amore, e non i rapporti consolidati come il loro. In una quotidianità vissuta prevalentemente al riparo delle mura di casa, anche la presenza di persone esterne sembra non soltanto superflua, ma persino evitata, come se entrambi bastassero all’altro e il resto del mondo non avesse importanza o, addirittura, non esistesse.

Aaron invites his girlfriend Lea and her 8-year-old son Tristan on a trip to the mountains. What could be a starting point of a new life together, slowly turns into difficult territory as the three fight for their positions within the new family.

Il sapore del male segue le vicende di un'ambiziosa chef (Ariana DeBose), che decide di aprire un ristorante in una zona isolata e deve affrontare il caos in cucina, le pesanti insicurezze... e una presenza inquietante che minaccia di sabotare ogni sua iniziativa.

Two old women who live in a mansion, which is locked between two skyscrapers, hate their neighbors because they are rebel medicine students who party all day long. One day, one of the old ladies get sick and is saved by one of the students, arousing a weird friendship and an opportunity to discover new experiences and change behavior patterns.

A young Iranian boy makes friends with a young girl of the same age against a backdrop of the humdrum daily existence of rural workers.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Nel primo episodio (di Romero) Jessica e Robert vogliono incassare l'eredità di Valdemar, marito di Jessica. Lo mesmerizzano per modificare il testamento ma lui si trasforma in zombi e perseguita i due amanti. Nella seconda parte (di Argento), il fotografo alcolizzato Rod fa fortuna fotografando un gatto squartato da lui. La fidanzata se ne accorge e l'uomo la mura viva con un altro gatto.

Un dottore investiga sugli omicidi di alcune donne presso una località lacustre. Le sue indagini lo condurranno a credere che un vampiro è il responsabile delle uccisioni e comincerà a dargli la caccia.

Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge.

'Skippy' seeks to win the love of celebrities and a women by getting his photograph taken with as many famous people as possible.

AA is a portrait of the dream diaries of Russian avant garde feminist poet and photographer Anna Alchuk.

As Liz struggles with nyctophobia (fear of the dark), a form of anxiety disorder that causes sleeping issues, she desperately tries to fall asleep by entering her “inner world” where she can access her happy childhood memories. However, she ultimately becomes trapped in a time loop of sorts in her “lucid dream” world and encounters her nightmare, Dark Figure, who appears in various forms and shapes as a clown. The time loop pushes her deeper into her lucid dream world, forcing her to reach her subconscious world where she meets her worst nightmare, the original form of Dark Figure.