“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.

Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.

John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.

Freddy, a Viennese Jew who emigrated to New York after Hitler's invasion, and Adler, a left-wing intellectual originally from Berlin, return to Austria in 1944 as soldiers in the U.S. Army. Freddy falls in love with the daughter of a Nazi, and Adler attempts to go over to the Communist Zone. But with the advent of the Cold War and continuing anti-semitism, the idealism of both characters is shattered as they find themselves surrounded by cynicism, opportunism, and universal self-deception.

A collection of short parodies of the Mobile Suit Gundam saga. Episode 1 pokes fun at key events that occurred during the One Year War. In episode 2, Amuro, Kamille and Judau fight over who runs the better pension when Char comes in to crash their party. Episode 3 is the SD Olympics, an array of athletic events pitting man with mobile suit.

Michel, a retired math teacher, has lived alone since his wife’s death and occupies his time writing an essay about the beliefs that shape daily life. One day he comes across Dora, a young homeless woman, who shows up injured on his doorstep, and puts her up until she recovers. Her presence brings something new to Michel’s life, but gradually the apartment becomes the site of mysterious happenings.

Experimental film made to test the original cylinder format of the Kinetoscope and believed to be the first film shot in the United States. It shows a blurry figure in white standing in one place making large gestures and is only a few seconds long.

The third installment of SD Gundam shorts.

Third Jerry Cotton Adaption. A big shipment of Nitroglycerine, enough to make a shambles of New York, mysteriously vanishes! It's a race between agent Jerry Cotton and the underworld to see who can find the deadly explosive first. To complicate things further, the nitro must be found before a torrid heat wave causes it to blow much of the city sky high.

Il genio criminale Mason (John Travolta) sta per mettere in atto il colpo della sua vita quando la sua amante e membro chiave della sua banda, Decker (Kristin Davis), tradisce il team e rivela di essere un agente sotto copertura dell’FBI. Sentimentalmente distrutto, Mason riesce a fuggire e si ritira dalla vita criminale fino a quando suo fratello minore Shawn (Lukas Haas) si trova in una situazione troppo grande per lui, affrontando da solo un grande colpo in banca. Mason non ha altra scelta che intervenire per aiutarlo, mentre l’FBI incarica Decker sul caso nella speranza di metterlo in difficoltà. Prima che le squadre SWAT assaltino la banca, Mason deve utilizzare ogni risorsa a sua disposizione non solo per fuggire con il bottino, ma anche per riconquistare l'amore della sua vita.

Jeong-won, who forgot the past and lives a peaceful marriage, receives a phone call from the police one day. The man who sexually assaulted her has been caught and the news shakes up the couple’s life and breaks down their daily lives.

What do we do when the Federal Government steps outside of its constitutional limits? Do we ask federal judges in black robes to enforce the limits of federal power? Do we "vote the bums out" in the hopes that new bums will surrender their power? Thomas Jefferson and James Madison didn't think so, and neither should we. The rightful remedy to federal tyranny rests in the hands of the people and the States that created the federal government in the first place. It's called nullification, and it's an idea whose time has come.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

A documentary about the legendary and influential comedian, actor and writer, who went out from the BBC to conquer Hollywood, but sadly the system quickly withdrew its support when they couldn't contain his talents. This portrait is spiked with many comments from people who knew Feldman privately or had dealt with him professionally. His early death sadly rendered him all but forgotten by the public. The compilation consists of interviews, some film clips and photos as well as various audio clips from him.

The infinite playground of forbidden worlds and dangerous lifeforms offered by the sci-fi horror genre will lead to the biggest, maddest, bloodiest V/H/S ever.

Mentre la polizia cerca di smantellare il crimine organizzato su scala nazionale, scoppia una guerra tra i due più potenti clan Yakuza del Giappone: i Sanno dell'est e gli Hanabishi dell'ovest. Non riuscendo a porre freno all'ondata di sangue generata, la polizia decide di rimettere in libertà Otomo, il vecchio scagnozzo che tutti credevano morto.

Yowamushi Pedal: Re:ROAD compiles the second half of the Inter High arc from the second television anime season with some cuts of new footage added.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.