Mrs. Fat is slowly succumbing to cancer, but her biggest worry is her only child, the 30-year-old Bee. Possessing the mind of a toddler but the hormonal urges of a sexually aroused rhino, Bee finds himself in trouble with the gangster boyfriend of his neighbor May. After the thug is killed for stealing some heroin, the pregnant May becomes severely disabled -- and after Bee's real mother dies, the surrogate mother for her new friend.

When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.

The “scattered factory” expands. This journey recounts how, among abandoned buildings, mines transformed into tourist attractions, factories in Eastern Europe that have been reconverted to produce Italian cars, and the transformation of industrial cities and towns such as Sesto San Giovanni (the former Stalingrad of Italy) and Lumezzane (the “workshop” city of the Brescia area). The places, the images, the sounds. The director takes note and recounts by blending telephone calls, conferences, poems, old movies, commercials on Yugoslavian TV, Russian ballets, experimental performances. One sole flow that expands into multiple senses and directions. Just like a factory.

Karoly Makk's heartbreaking story of two unmarried sisters who cast wistful glances back at their lives, but still believe in hope and love, earned an Academy Award Nomination for Best Foreign Language Film in 1974. In this follow-up to the director's internationally acclaimed Love, Makk once again exhibits his extraordinary skills at drawing emotionally compelling performances from his talented female leads. Makk's film opposes the bleakness of the outside world with passion, love, and loyalty.

On a corner of a city in a neighborhood in a state in a country. a mad man is basically mad in the street.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Two exorcists capture their work on video and upload it to YouTube. They come to the attention of a TV show that wants to boost its ratings. However, the studio crew remain skeptical.

The talented young entrepreneur Finn Sieveking has to cope with the death of his mother Maria, who was always at his side in the management of the traditional Hamburg family business. Out of nowhere the adventurer Jonathan Clark appears, who introduces himself as his biological father. Finn has to cooperate with him unwillingly, because Maria has bequeathed both of them half of their business shares. Only gradually does Finn begin to understand what his clever mother intended.

Wealthy Dr. Shivnath decides to adopt an injured orphan named Rajkumar, who has been separated from his sister, Munni, much to the chagrin of his wife, Janki, who resents him and reserves her love for her two biological children, Premnath and Sudha. Years later all the children have grown up, and Dr. Shivnath may have nothing but regret in adopting Rajkumar - who is not only living a dual life; getting into arguments and fisticuffs with Premnath; but may also soon be arrested by Inspector Chauhan for marketing and distributing fake currency.

A revolution stirs when a gang of frustrated rebels plots urban mayhem for the citizens and cops of Detroit. Opposing factions of thugs, police and residents search for their own ways of coping with the misery of violence, racial tension and poverty.

Chiamato all'Opera di Parigi per dirigere Tannhäuser di Wagner, il direttore d'orchestra magiaro Zoltan Szanto (N. Arestrup) si trova alle prese con incomprensioni linguistiche, noie sindacali, nevrosi, gelosie, rivalità e ha una relazione con la primadonna (G. Close, doppiata nel canto dal soprano Kiri Te Kanawa). L'opera va in scena, ma a sipario abbassato, affidata soltanto alla musica e ai cantanti. Ambiziosa metafora sulla difficile convivenza tra i popoli europei dopo la caduta di muri, cortine di ferro, frontiere tra Est e Ovest, ha al suo attivo il colorito resoconto sull'allestimento di uno spettacolo lirico e i suoi retroscena, ma la parte centrale sulla passione extraconiugale, iniettata di succhi e veleni autobiografici da parte di Szabó, è imperdonabile. Prodotto da David Puttnam, contribuì al suo declino.

A moody teenager dreads taking Carol to a friend's party. Will learning the finer points of social courtesy help him have fun at the party and maybe get a second date? This film tries to help awkward teens overcome small interpersonal problems before they grow into social crises-alienation, vandalism, alcoholism, crime and a lonely life as a bachelor.

A watercolour evocation of a prairie storm coming after a period of severe drought.

An old Finnish athlete travels alone through eastern Europe with his van.

A dark and claustrophobic film, this brutal, tragic, gut-wrenching drama is set almost totally within the confines of a ship's cargo container that is only 25 square meters in size. It is the grim story of six ill-fated refugees trying to get to Canada from a port in France. The police are in hot pursuit when the septet of strangers are stowed away in the huge metal box. The refugees -- two men, two women and two children -- are of various backgrounds including Gypsy, Russian and Arab. The first of many problems occurs when a mother and daughter arrive with no food (they lost it during a chase). The one Russian refugee, Roman, declares that they should not be allowed to board the ship, but the other three refugees allow them in. Their ordeal begins when the ship breaks down in Liverpool.